Archives for posts with tag: Patti LuPone

…still I’m clean’.

I had to just finish off the lyric of that title because it could easily be confused as a regular statement. That wouldn’t be very me now would it? It’s actually a line from Duncan Sheik’s new musical ‘American Psycho’ and it has been repeating in my head since I saw the show on Saturday. It seemed, almost poetically, coincidental that the final musical I saw in 2013 contained a lyric that would lead me into my final post of the year so I just had to use it.

As the curtain came down on the final piece of theatre I saw this year I turned to my friend Adam – who was a regular 2013 theatre buddy of mine – and said: “Best thing I’ve seen this year”. Adam was quick to say that that was a huge statement coming from me considering the amount of things I’ve seen this year. It’s true, it was a huge sweeping statement, but it popped out of my decisive mouth and I don’t just think it was just because of the adrenaline rush Act II had given me. ‘Mojo’ had stolen the 2013 theatrical crown.

“But Ridout, what about ______, _______, and, not forgetting, _______!?”*

*I’d be interested to know what shows you’d fill those blanks with. Go to the bottom of the blog post to use a contact form to tell me!

I’ve since had a few days to reflect on everything else I’ve seen this year and I thought I’d let you know what my favourites were. I’ll admit that my pen hovered a lot as I tried to write down definitive favourites. In the end I had to break it down into more categories (including making a few up) and most have a shared top spot between two pieces. It would seem my decisive brain – declaring ‘Mojo’ the best – from Saturday couldn’t do the same thing whilst recalling the 80+ things I’ve seen this year.

So, here are Ridout’s 2013 favourites:

Shakespeare: ‘Othello’ at the National Theatre and ‘A Midsummer Night’s Dream’ at the Globe

Plays: ‘Mojo’ at the Harold Pinter and ‘Curious Incident of the Dog in the Night-time’ at the Apollo

Musical Revival: ‘Merrily We Roll Along’ at the Menier Chocolate Factory/Harold Pinter

Solo?: Liza Minnelli at the Royal Festival Hall and Patti LuPone & Seth Rudetsky at the Leicester Square Theatre

Regional: ‘Sweeney Todd’ at the West Yorkshire Playhouse and ‘Putting It Together’ at Glive

Musical: ‘The Color Purple’ at the Menier Chocolate Factory and ‘American Psycho’ at the Almedia

Performances: Cynthia Erivo for ‘The Color Purple’ and Rosalie Craig for ‘The Light Princess’

It took me a lot of strength to not create a mini Ridout award nominations list and put more pieces down. I’ve been ruthless. I’ve been lucky to see a lot of incredible theatre this year. Luckily for you too, you still have the chance to see a few of the pieces in my above list in the new year. Therefore, your theatrical to-do list for 2014 should be: Mojo, American Psycho, The Light Princess, Putting It Together (which is opening at the St James soon), Curious Incident of the Dog in the Night-time (when the Apollo is back in good health) and Merrily We Roll Along is also available to watch on Digital Theatre.

As a bonus category, I can’t ignore the fact that a significant portion of my theatrical visits this year have been to different drama schools to see their graduating year’s productions. I think it’s so important to see what the upcoming year of talent is like and you also get to see West End worthy performances, sometimes of some rarely seen pieces, for a fraction of the price. What is not to love? I would highly recommend making a few trips to see some student productions in 2014 – they’ve got some exciting seasons coming up. My drama school categories would be:

Best Production: ‘Kiss of the Spider Woman’ at Arts Educational Schools London

Best Performance: (in case you missed her name in the theatrical news) Mollie Melia-Redgrave in ‘Evita’ at Arts Educational Schools London and Scott Paige in ‘The Producers’ at Mountview Academy of Theatre Arts. Two names well worth a look out for in the future.

Considering all of the above I think I can safely say that my statement declaring ‘Mojo’ the best thing I’ve seen this year was a huge sweeping statement and I’ll retract it – all the above are equal in my eyes! It is also safe to say that 2013 was a pretty impressive year for theatre. There were record breaking revivals, box office smashing shows, we celebrated 50 years of the National Theatre (see previous post) and there was plenty of inspiring new writing (again, see previous post). I don’t know about you but I can’t wait to see what 2014 has in store.

Thank you for reading what I’ve had to say in 2013. I hope you return for more in 2014.

Happy New Year!

A few 2013 theatre photos:

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Giving our best ‘Bottom’s at the Globe.

A faulty sign at the Palace altering this MGM classic.

A faulty sign at the Palace altering this MGM classic.

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Adam in the standard day seat queue attire.

My 'patronus' moment. West Side Story with NYMT.

My ‘patronus’ moment. West Side Story with NYMT.

“How do you measure a year in the life?”

– Rebecca Ridout

 

Last night I had my first night back in the theatre after a two week(ish) hiatus. Apart from when I was away doing West Side Story,* those two weeks were the longest I’ve been without theatre in a long time. I had been starved of my usual fix and, I think, because of this Wednesday’s viewing of ‘Romeo and Juliet’ at the Royal Opera House was all the more incredible (although any trip to the ROH is always inspiring). This has led me to think, in my pensive ways, if it’s possible to overdose on theatre. Do I go too much? Has the enjoyment of each visit been reduced because it has just become ‘the norm’? Will I be better off to go less frequently? I know that my bank balance, lack of sleep and social calendar would be relieved if I did. Somehow I can’t seem to agree.

*Even then I snuck to London one evening to see ‘The Ladykillers’. I just can’t help myself.

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A recent Facebook status in which…well…you get the drift. A normal three week timetable in the life of me.

Last week I substituted a theatre trip for a visit to the cinema. Granted, it was to go and see the Digital Theatre screening of ‘Merrily We Roll Along’ – I still count that as an alternative – but it didn’t hit the T (theatre) spot. Now, I could write an essay on the pros and cons of filmed plays/musicals but no one wants to read that and it simply boils down to the conclusion that what you see on film doesn’t do justice to the live version. I’d trade 10 (if not 100 – whilst I’m being dramatic) cinema viewings of Merrily for the one experience I had when I saw it at the Menier Chocolate Factory. You may also remember that I spoke in a previous blog about the fact that I love theatre because it is transient and I just think capturing it on a camera kills that. I think transience is what makes theatre addictive. It is only a passing moment between the audience and the actor and then it is gone – if you miss it then you miss out. If you don’t go to the theatre constantly then you are constantly missing out. Am I right or am I right!?

Whoa there, crazy Ridout. With that argument you could also say that unless you see every show playing in town every night then you are missing out on each brilliant, transient, performance. We all know that that is impossible so maybe I should just give myself a break and be selective. I (and you) should be able to see something just because I want to see it, not through fear of missing something. 

Okay, so if I’m being selective (which I think I am already) should I cut down on the amount I see? The danger with seeing so much theatre is that the level that I now see as ‘good’ theatre is actually, by most people’s standards, pretty bloody impressive. I have seen some incredible pieces this year: Othello at the National, Curious Incident of the Dog in the Nightime at the Apollo, The Color Purple at the Menier, Merrily We Roll Along at the Menier, A Midsummer Night’s Dream at the Globe, Liza Minnelli at the Royal Festival Hall, Patti LuPone at the Leicester Square Theatre…to name but a few. It’s safe to say I have been well and truly spoilt. Amongst these beacons of theatrical hope I have also seen drama school productions, fringe, regional and even home grown amateur group theatre. When the long list above becomes my normal theatrical viewing then how can I sit back and enjoy all theatre in the same way? The answer is: I can’t. I don’t know how critics do it. I find it very hard to sit back and weigh up the circumstances of what I am watching (eg. how big the budget is, how long they rehearsed, are they being paid?) and view it for what it is. I just have a huge comparison chart whereby so much fantastic theatre ends up in the ‘I enjoyed it’ pile when really it deserves so much more than that. So I shouldn’t go as often? Simple. However, if I didn’t go as often as I do I would have missed some of those ‘theatrical beacons’ and, indeed, some of the incredible pieces I have seen off the beaten theatrical track this year.

It would seem that I do have a problem. I would like to stress though that there is one specific kind of theatre addict that I am not. That is the ‘serial show see-er’. Sure, I’ve seen a few shows a couple of times but never* the same cast twice and never an amount of times that would shock you (I have some friends that have seen shows enough times that make even my jaw drop upon hearing the number). I guess my transience argument could come back and bite me here by saying that no two performances will be the same so what is the harm in going for multiple visits? I think the harm comes when you can no longer distinguish one specific performance from the next. If you saw Rachel Tucker in Wicked 6 times but couldn’t tell me which time she did what riff in Defying Gravity (hats off to you if you can) then you’ve lost a bit of the magic. Your memories of the experience become generic and that is when I think you’ve overdosed on theatre. I may have seen a lot, but if you ask me I could tell you something specific that I remember from each production – no matter how low-key.

*well, seriously, very few.

So do I overdose on theatre? It is true that I am harder to please because I see so much but that just goes to show that I am seeing a lot of high quality productions. That is surely a great big “Yay!” for the industry. Keep going Rids, keep going! Oh well, if I must. It would appear that there is no solution to this vicious circle whereby I spend all my time in red velvet seats. I guess I’ll have to try and make my theatre trips feel more special by treating myself to the odd ice cream or G&T. On that note, I’m off to the Arts Educational School to see their production of Stiles and Drewe’s ‘Soho Cinders’ – maybe I’ll get myself a gin!

Happy frequent theatre visits!

“Come on guys enough hesitating, can’t you see your carriage is waiting…” – a bit of Soho Cinders there. “You shall go to the ball Cinderella” has been substituted in my mind for “You shall sit in the stalls please Rebecca”…I like it.

– Rebecca Ridout