Archives for posts with tag: Charles Miller

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I think the title of this blog is the most obvious and cheesy lyric choice yet but, let’s face it, Larson is always poignant when you start thinking about the passing of time. I’m sticking to that.

A year ago, to the day, I graduated from drama school. In wishing all of the new graduates luck and quoting the school’s anthem “It’s Just The Beginning” I’ve become very nostalgic and have spent some time reflecting on these past 365 days. It is tradition at the London School of Musical Theatre to pass on some wisdom to a new student arriving in September to help them out (or terrify them) for their year ahead. So, I’d quite like to write a little post as an updated version of advice for all those beautifully talented people about to take their first steps in the industry.

 Graduates of 2014, this one’s for you.

Now I have the gift that is hindsight, I can say that your first year in the industry will be an unexpected roller-coaster ride. I say unexpected because as far as careers go there are very few that you plan and dream the details of quite as much as a career in the performing arts industry. Of course, there are a very lucky number of people whose journeys will play out like a dream and it’s amazing to bask in their happiness (I’ve spent a lot of evenings crying with pride at professional debuts this past year). However, 9 times out of 10 your journey won’t play out quite as you had envisioned from aged 7, doing one-woman shows in your living room. It seems silly to say so, but remember that! You’ll have been told it plenty of times but it’s so easy to lose sight of that and cry tears of the green-eyed monster watching a friend’s debut rather than the aforementioned tears of joy. It should be all about the joy grads. So here are some tips to help keep it that way:

#TipOne: Pinch yourself occasionally…

…and remind yourself you’re one of a lucky minority (yes, it will seem like a large old industry at times but we’re still a minority) following their dream career. Even if you’ve finished a 13 hour shift carrying plates up and down 5 flights of stairs (yes, that’s what I do) remember that it’s all a means to an end.

#TipTwo: Pat yourself on the back for the small things too.

For your sanity’s sake I think it’s important to think of any achievement as a big one in your first, intrepid, year out of training. Things might seem like baby steps but they are all significant. From a good audition to (god forbid) actually getting a job don’t forget to take stock and note your achievement. It will help your esteem in the long run.

#TipThree: Keep your friends close.

You’re all in it together. You’ll need a network of people that you love and trust that you can call on when you’re struggling for audition material, need picking up off the floor when you don’t get a job or to chat to in an effort to calm your dance-call-first nerves. It’s also necessary to have a group of nearest and dearest who you can celebrate good news (and fight over press night plus ones) with too of course!

#TipFour: It’s a small industry.

That’s more of a statement than a tip. I guess it’s more of a reminder! We’ve all heard it a thousand times before but it still shocks me, almost every day, how everyone is connected. Naturally, there will always be some people in this industry that you’ll want to keep at arms length because of their negativity (amongst other things I am sure) but as long as you kill with kindness you’ll be fine. Plus, I’ve also learnt that playing ‘how many mutual friends do we have’ at auditions is a great way to pass the time. I dare you to try playing ‘do you know Ridout?’ and please report back any findings.

#TipFive: Enjoy every second.

This year will really be about finding your feet and learning how to get the career you’ve envisioned out of your head and made into something tangible (well, as tangible as an acting career can be). It’s not an easy process. I’m a year out and I still don’t have all the wheels in motion – it’s a Reliant Robin at best – but try to enjoy it as much as you can. Allow yourself to cry when you need a cry but start patting yourself on the back again as soon as possible. Get out of the house, find a show you only need £10 to see and get re-inspired. Sing in the rain, dance in the street and use all the world as a stage.*

*Was that sentence too much? Am I too much? Or is the rest of the world not enough? Answers on a postcard please.

#TipSix: Run your own race.

I won’t repeat myself on this one so if this is the first blog of mine that you’ve read then please reference this post on what I mean by that. I will, however, add one more ridiculous running analogy just for my graduation anniversary (mainly because I’ve been using MapMyRun far too much recently): For every 10 minutes of a marathon you may achieve varying distances for each but, ultimately you’re aiming for an end goal and to finish at your personal best. Which roughly translates as: Each year you may achieve different levels of accomplishment in terms of building your dream CV but you know your personal end-sight and you can only ever do your best. Just because one year you achieve less on paper than the last doesn’t mean you’re not going to end up where you want to be. I hope that makes as much sense to you as it does to me.

THAT’S IT!

Like with the tradition at LSMT, I could write a book of advice for what to expect for your year ahead. I hope that these select few nuggets of advice were of interest and that they will serve you in the incredible year you have ahead of you. 365 days later and I’m perfectly contented with where I am right now in terms of my career and I am a very happy individual. I can only hope that you feel the same in another 365 days time. 

Here’s the graduation anthem from LSMT’s own Charles Miller to set you on your way. Just give those lyrics a listen and you’ll be alright. 

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Final day of LSMT. Class of 2013.

“Down the road, around the next bend, who knows what’s ahead? But we’ll keep on and still keep in mind what so many said…”it’s just the beginning”…”

– Rebecca Ridout

 

 

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The fortnightly blog post was clearly a lie. I apologise. I do hope you’re okay with it and that we can move forward together despite my apparent lack of timekeeping skills. However, surely it’s better to write more frequently than it is to write less? I guess only time (and my friends who are on quality control) will tell. This week’s post is just a little ‘Food for Thought’. It’s an opportunity for me to let off some theatre themed steam and I’m hoping that in reading it you’ll discover a shared experience. It’s hopefully a pat on the back if you’re a graduate and a forewarning if you’re a student (remembering forewarned is forearmed). Here we go then…

Since graduating I’ve found it very hard to answer even the simplest of questions. “What are you up to at the moment?” “What’s new with you?” “How’s everything going?” There are endless word combinations that all culminate in the same scenario of me stumbling over my words, trying to justify my existence, and resenting the questioner. Now, how I expect to have a conversation with someone and this question not come up I do not know. I do know, however, that I didn’t have this problem two months ago. It is obviously the curse of an out of work actor. We all know there is no shame in not having a job (“That’s showbiz, kid”) but you still want to be able to paint a picture of the glamorous life you are living – even when, as in my case, you only have waitressing, theatre trips and a blog to show for yourself.

As soon as you choose this career path you (or at least I do) constantly justify yourself to those who “don’t get it” – the friends and family who aren’t in the business. It is undeniably easier to say: “I’ve got a part in _______, I start next week” than it is to explain the ups and downs, ins and outs and confusing reality of auditions. This is something I expect to have to explain/justify to family and friends though. I’ve been doing it ever since I first applied for drama school so I don’t get phased when they ask what I am up to – it’s like the answer is on tap. Why though am I struggling to tell people who are in the industry and consequently “get” my situation?

I’ve always instinctively asked graduate friends what they’re up to. It’s not to be nosey, it’s not to find out what they’re being seen for, it’s not to rub salt in any rejection wounds and it’s not to remind them that they still have post show blues (*COUGH*). It’s because all you’re hoping for is for them to turn around and tell you that they have a part in the aforementioned _______, and that you can gleefully hug it out. I had, until I became the out of work actor on the receiving end, always seen it as a caring question filled with hope of a positive response. I’ll admit that I sometimes got the defeated look with the “just auditioning, you know” response but I had never considered that the person could have been worn down by having had that conversation multiple times that day. Now that I am that person I can safely say (having seen many people I needed to catch up with recently at a theatrical event) that it is hard to come up with a multitude of positive replies!

What is the solution then? Not asking that question is near impossible. You want to ask in case the answer is a cause for celebration, you want to ask because you care but you don’t want to ask because you don’t want to be a reminder of their lack of opportunity. I genuinely don’t think there is a solution. Pointless blog post, you ask? I certainly hope not. I hope it provoked some thoughts in you, please let me know (@beccaridout) if you share any of these feelings on the asking or responding end. I know writing this has been like therapy for me! It means that next time I am asked I will know to control my death stare and will no doubt chuckle away to myself before launching into: “Well, it’s funny you should ask that because…”

Additionally, tonight I am off to see half of my year group for a mini reunion and to see ‘When Midnight Strikes’ at the Gatehouse Theatre. That will mean a minimum of 25 times being asked a combination of the above questions. Bring it on. I may not have an acting job currently but I’m spending time with people I love, seeing what I love. ‘When Midnight Strikes’ is written by LSMT’s own Head of Music – the man, the legend, Charles Miller (not forgetting his lyricist partner Kevin Hammonds). I know, even before I get there, that I am going to love this production with LSMT at its heart, actor friends in the cast (who, guess what, still had the same reply as me to the above questions in early August) and a top notch creative team. I cannot wait! Also, as I am typing this, the sun is currently shining in London town after days of miserable weather. It must be my happy thoughts. Remember: when in doubt, Ridout will sort you out. Or, if that fails…ask Mary Poppins (we are practically the same person after all). Happy question and answering!

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My new mantra before answering.

In regards to having a positive spin for every seemingly negative answer:

“Just a spoonful of sugar helps the medicine go down, in the most delightful way”

– Rebecca Ridout